I don't really want to study fluctuating levels of religious bigotry in Bach's life when I listen to his works.
FWIW, I use to be a big fan of Crystal Castles (like listening to 4+ hours a day for close to a decade). It was a core part of my culture diet. Once it was known that Ethan Kath was a sexual predator that groomed teenage girls, I simply stopped listening or talking about them ever.
Why is this hard? IDK, it really feels like people put too much of their identity into cultural objects when they lack real communities and people in their lives.
Also throwing it out there, I don't really know much about Scott Adams (or his work for that matter). Dilbert comics weren't widespread memes on the phpBB forums I'd post on throughout the 00s and 10s.
edit: spelling
You can’t burn a woman at the stake today and say ”oh well, 300 years ago it was normal so”.
- enjoying the work of an unrepentant bigot who died hundreds of years ago, whose work is in the public domain, who does not materially benefit from your spectatorship (what with them being dead and all)
- enjoying the work of an unrepentant bigot who is alive today, whose work they have ownership of, who materially benefits from your spectatorship
- enjoying the work of an unrepentant bigot who died mere minutes ago, whose work is owned by their estate, whose heirs materially benefit from your spectatorship
I think the first category is fine, the second category is unambiguously not fine, and the third category is ambiguous, but I would err on the side of "don't consume".
The thing that is wrong about it is that the purity spiral may get out of control and result in wholesale purging of art, Iconoclast-style (or perhaps Cultural Revolution-style).
I don't trust people with an instinct to purge history. They rarely know when to stop.
Plus, standards change a lot. Picasso had a teenage mistress. It wasn't as scandalous back then. Should we really be so arrogant as to push our current standards on the entire humanity that once was? If yes, we will be obliterated by the next generation that applies the same logic to us, only with a different set of taboos.
I don't think I ever paid for a Dilbert comics strip, though I never downloaded them from somewhere illegal either.
https://m.youtube.com/watch?v=oG5EpzGmAtA&pp=0gcJCTIBo7VqN5t...
My TL;DR Choosing not to financially support a creator for ethical seasons makes sense as an ethical stance. But that doesn't mean the media we like needs to always reflect our values.
I'm not -your- conscience, I can only explain my own. To me? No, that's not fine.
Even calling for a boycott or lack of commercialization of something is not purging from history.
People knew slavery was wrong when slavery was happening. People knew child labor was wrong when child labor was happening. People knew segregation was wrong when segregation was happening. Those people were not rewarded by society.
You can still stream all of Crystal Castles songs on every platform, you can still buy their music, their albums still have hundreds of seeders on trackers. Just as I'm sure you can buy your Dilbert books.
Telling people to maybe look up to better humans, which it needs to be stated have always existed and aren't a modern invention, should be encouraged.
One of the other threads in here an OP states that we should use this moment to reflect and do better in our own lives, what is wrong with this viewpoint?
We've seen countless examples of people getting sucked into social media holes and I've yet to encounter a single case where this has ever led to healthy outcomes.
We're allowed to avoid consuming the work of artists we think are horrible humans. We're allowed to encourage others to do that too even. None of that is purging or censorship.
Adams was a mediocre bureaucrat who discovered he could make a living as a competent comedian. His success at that persuaded him that he was an Important Moral Authority.
He started as a banker and ended as a self-harming prosperity preacher - not exactly a rare archetype in the US.
The funny parts were funny. The rest, not so much.
This isn't a reliable method of determining morality.
Isn't this rather common in artists? Bono of U2 comes to mind as a very pronounced example.
The problem with being a well-known artist is that you have way too many sycophants. Imagine getting dozens of ChatGPT-like fawning messages every day, but from real people, and not just over e-mail, but whenever you stray out of your house and someone recognizes you.
That will mess with self-image of almost everyone except the most stoic personalities.
And pretty much all countries in the world limit what we can say. You're not allowed in the US to, for example, threaten the US president with murder, even if it's just words.