He always felt culturally like family to me. His peaks—the biting humor about corporate absurdity, the writing on systems thinking and compounding habits, the clarity about the gap between what organizations say and what they do—unquestionably made me healthier, happier, and wealthier. If you worked in tech in the 90s and 2000s, Dilbert was a shared language for everything broken about corporate life.
His views, always unapologetic, became more strident over time and pushed everyone away. That also felt like family.
You don’t choose family, and you don’t get to edit out the parts that shaped you before you understood what was happening. The racism and the provocations were always there, maybe, just quieter. The 2023 comments that ended Dilbert’s newspaper run were unambiguous.
For Scott, like family, I’m a better person for the contribution. I hope I can represent the good things: the humor, the clarity of thought, the compounding good habits with health and money. I can avoid the ugliness—the racism, the grievance, the need to be right at any cost.
Taking inventory is harder than eulogizing or denouncing. But it’s more honest.
Acting like "oh, he was trolling", or "it was just a small amount of hating Black people and women" is exactly how you get Steven Miller in the fucking White House.
We need to make it shameful to be bigoted again, and that means calling out the bigotry even in death.
I don't really want to study fluctuating levels of religious bigotry in Bach's life when I listen to his works.
FWIW, I use to be a big fan of Crystal Castles (like listening to 4+ hours a day for close to a decade). It was a core part of my culture diet. Once it was known that Ethan Kath was a sexual predator that groomed teenage girls, I simply stopped listening or talking about them ever.
Why is this hard? IDK, it really feels like people put too much of their identity into cultural objects when they lack real communities and people in their lives.
Also throwing it out there, I don't really know much about Scott Adams (or his work for that matter). Dilbert comics weren't widespread memes on the phpBB forums I'd post on throughout the 00s and 10s.
edit: spelling
The thing that is wrong about it is that the purity spiral may get out of control and result in wholesale purging of art, Iconoclast-style (or perhaps Cultural Revolution-style).
I don't trust people with an instinct to purge history. They rarely know when to stop.
Plus, standards change a lot. Picasso had a teenage mistress. It wasn't as scandalous back then. Should we really be so arrogant as to push our current standards on the entire humanity that once was? If yes, we will be obliterated by the next generation that applies the same logic to us, only with a different set of taboos.
Adams was a mediocre bureaucrat who discovered he could make a living as a competent comedian. His success at that persuaded him that he was an Important Moral Authority.
He started as a banker and ended as a self-harming prosperity preacher - not exactly a rare archetype in the US.
The funny parts were funny. The rest, not so much.
Isn't this rather common in artists? Bono of U2 comes to mind as a very pronounced example.
The problem with being a well-known artist is that you have way too many sycophants. Imagine getting dozens of ChatGPT-like fawning messages every day, but from real people, and not just over e-mail, but whenever you stray out of your house and someone recognizes you.
That will mess with self-image of almost everyone except the most stoic personalities.