zlacker

The 7 note scale you suggest (do re mi fa so la ti do) is comprised of different intervals (2 2 1 2 2 2 1) in the 12-fold equal tempered scale. There are infinite ways of exploring an octave in music, but unfortunately listener demand for such exploration is near infinitesimal.

>>waffle+(OP)
don't you mean 11-fold? ... oh wait, they aren't even consistent

>>fsckbo+K3
They sum to 12

>>waffle+lq
actually they multiply, 12th root of 2, to the 12th

>>fsckbo+KE
12th root of 2, to the 12th = 2 :D The collection of 7 intervals I provided, 2 2 1 2 2 2 1, which are a differential representation of "(do) re mi fa so la ti do", sum to 12. Those intervals are linear within the log2 scale you identified as having a 12th root of 2 basis, or in other words, are the major diatonic (7 note) scale which are a subset of the 12-tone equal tempered scale. The laws of logarithms can help explain why these intervals are additive, whereas the semitone basis (12th root of 2) is multiplicative.