zlacker

Along with all the cop shows I'm thinking it's almost intentional at this point to normalize things.

>>bakies+(OP)
It’s the entire reason some shows and movies exist. The Pentagon, CIA and other agencies routinely and openly assist hundreds of films and TV shows with equipment, locations and expertise in exchange for script changes that protect U.S. military and intelligence reputations.

>>bakies+(OP)
The very first cop show, Dragnet, was explicitly a PR move to rehab the image of the police in the public's imagination. Every cop show since has been propaganda. Even shows where the police are not necessarily the "good guys", like The Shield or even Chicago PD, normalizes police brutality and the flaunting of basic constitutional laws because those dastardly bad guys have to be stopped at all costs.

I enjoy some of these shows myself but it is sometimes crazy how blatant they are about it.

>>bakies+(OP)
It's definitely. Notice how after the 1994 Crime Bill was put into effect you had a large wave of shows and movies that increasingly depicted police as tools of the state rather than as protectors of the public. The fact that police-centered media exploded in ever larger shockwaves after that, the Atlanta Centennial Olympic Park Bombing, 9/11, and the deaths of Trayvon Martin and George Floyd was no coincidence. Law & Order, NYPD Blue, NCIS, Chicago PD, and Blue Bloods each correspond to each of those periods. The shows and movies are designed to make the abusive and destructive actions of the police look gallant. The police themselves actually advocate on many of them in order to sensationalize depictions or manipulate points of view so that they can then take them and use them as emotional appeals when the public criticizes policing.

The name "Law & Order" is a blatant example of this, as it's a phrase used by Richard Nixon during his campaign in 1968, and was widely repeated when he created justifications for starting the War On Drugs in 1970. This same phrase was later used by Reagan and H.W. Bush when they planted their positions of wanting to wield state violence against countercultures that arose. The '90s was full of change as Gen-X started to become adults and formed their own powerful countercultures, and the title of the show was an emotional appeal to conservative older people who hated that change and wanted the state to shape society instead of the other way around.

>>b00ty4+vd
The Wire was very good at showing the police as the villains, but it also instilled a lot of pessimism into the audience because said villains got away with damn near everything. Jimmy and Ellis probably sent more people to the hospital or the morgue than anyone else in the show (either directly or indirectly), but neither one got more than a few days of unpaid leave and a reassignment as a consequence. It also undercuts itself by having Ellis become probably the most respectable person in the cast and having all of the cast tell Jimmy he's not to blame for multiple shootings, destroying both families he's built, and even framing multiple innocent people with life sentences.

So even the ones that try to buck the trend end up following it.

>>Tanoc+841
Law and Order is interesting as the early episodes were way more nuanced and gritty. It evolved into something different over the years.

They went from exposition of “tv reality” to making a weird case that both cops and prosecutors must cut corners and push the envelope. The weird part is they gloss over the futility. But as you said, the old people get the message that we need to do more.