I remember being grateful about how that doesn't really happen in the US (Trump being the most recent, but he survived). I guess I was wrong... and, in that case, Garcia Marquez might agree with you.
You could be forgiven for not knowing, since the collective coverage and attention to it since has probably been less, total, than what this received in the last couple hours.
> By the way, if some amazing patriot out there in San Francisco or the Bay Area wants to really be a midterm hero, someone should go and bail this guy out, I bet his bail’s like thirty or forty thousand bucks. Bail him out and then go ask him some questions.
[1] https://www.rollingstone.com/politics/politics-news/charlie-...
You are clearly not paying attention.
I mean a lot of people are saying that. Big if true etc.
Excuse me? Melissa Hortman and John Hoffman were less than 3 months ago.
https://en.wikipedia.org/wiki/2025_shootings_of_Minnesota_le...
The difference is the public nature of the execution. That is what makes it more similar to, say, Colombia or Venezuela _to me._ Within the context of 'magical realism', it is the perspective and mass dissemination of the violence that heightens that feeling.
Going back to the original topic, there is a reason that most of 100 Years of Solitude's pivotal moments happen around the staging of public executions (and not so much the off-screen violence, of which there is some but it's not focal).