Design patents have been awarded for fonts. Trademark and trade dress protections could apply to the specific use of a font but not the font itself. The name of a font itself can be protected by trademark, as well.
It's kind of a fascinating topic: https://en.wikipedia.org/wiki/Intellectual_property_protecti...
Edit: Back in the mid-90s versions of Corel Draw came with a Truetype editor. A friend of mine made "knock off" versions of fonts they liked from magazines, etc, and made them freely available on his ISP-provided web space. They drew them by hand, using printed samples as the inspiration.
Over the years they got some angry messages from a few "type people" who didn't like that they'd made freely available knock-offs of various fonts. (I remember that "Keedy Sans" is one they knocked-off and got a particularly angry email about.)
Further aside: My fiend made a sans serif typeface that has a distinct pattern of "erosion" at the edges and voids within the letters. It's easy to tell when it's the font he made. For the last 30 years I've kept samples of the various places I've seen it used, both on the Internet and on physical articles. I find it so amazing that a TTF file made by a kid in Corel Draw in 1994 or 1995 ended up being used in advertisements, on packaging, etc.
You can't copy the font files themselves, but you can make visually indistinguishable new fonts with the same shapes because the shapes are not protected by copyright.
Additionally though, some fonts have design patents, which does protect the shape. Unlike copyright which has absolutely crazy expiration (like 150 years occasionally?) these patents only cover 15 to 20 years or shorter if abandoned.
An example of Apple patenting a font valid 2017 to 2032: https://patents.google.com/patent/USD786338S1/en
URL with %s in place of query: https://www.google.com/search?q=intitle%3A%22index.of%22+(tt...
The more amusing detail, to me, is whether or not XBAND Rough is related to the XBAND peripheral for video game consoles in the 90s. (Fascinating story, it was an add-on that enabled multiplayer over a phoneline on the SEGA Genesis/MegaDrive and Super Nintendo/Super Famicom.) Seems silly, however there is at least one source that seems to corroborate this idea, crediting the font to Catapult Entertainment, the company behind the XBAND:
https://fontz.ch/browse/designer/catapultentertainmen
Of course, this could've just been someone else guessing; I can't really find any solid sources for the origin of this font.
As a result, in one of the modes of PDF you can save the entire font file for every font used by the PDF into the PDF itself, just in case it's not present on the recipient's machine. Costly? Sure! But what else are you going to do if your document uses a super-special font for displaying mathematical symbols or sanskrit or the glyphs of a language understood by fifty people on the planet and Unicode isn't widely adopted yet, having been invented just two years before PDF?
So in this case, the author grabbed a copy of a PDF version of the ad (because those ads are still available online), cracked open the document itself, and found the glyphs for the letters are sourced from a version of the font that was intentionally created to steal someone else's font work because the whole font file is in the document.
Anti-pirating ad music stolen [2013]: https://www.abc.net.au/science/articles/2013/01/29/3678851.h...
> This is so typical of people who are just doing a hatchet job for money but have no personal interest in the topic or skin in the game.
This is both true and incomplete. Advocates against piracy are time and again caught infringing on IP. I think about when Lily Allen stole the content of her anti-piracy screed "It's Not Alright" from Techdirt[0]:
> However, [...] the rest of the blog post – put there by Lilly herself – is someone else’s work. Arrr mateys, Long John Allen lifted the entire post from another site – Techdirt.com – effectively pirating the work of the one and only Mike Masnick.
> “I think it’s wonderful that Lilly Allen found so much value in our Techdirt post that she decided to copy — or should I say ‘pirate’? — the entire post,” Mike told TorrentFreak on hearing the shocking news.
The anti-piracy creators demand that we stay within their narrow definition of "piracy", which just so happens to exclude the work that they steal. Yes, the creative agency behind the "You Wouldn't Steal a Car" ad are disconnected from the cause. And their clients at the MPAA and FACT do not consider fonts to be worthy of the protections that are ostensibly the basis of their existence.
0: https://torrentfreak.com/file-sharing-heroine-lilly-allen-is...
https://usgraphics.com/static/products/TX-02/datasheet/TX-02...
[1] https://en.wikipedia.org/wiki/Intellectual_property_protecti... and forward
Wow! I should've thought to check that.
> I'm not sure where it comes from because the SNES/Genesis/Saturn versions of the service didn't use it. Maybe it comes from the short-lived PC XBAND service?
My guess was going to be that it was used in marketing copy, but that doesn't explain how it wound up distributed apparently freely. The idea that it is related to the PC XBAND service seems likely to me, though. The dates line up, based on this press release:
You wouldn't download a car
>https://knowyourmeme.com/memes/piracy-its-a-crime
Also be aware that some people actually consider the real PSA to be a Mandela effect since they consider "You wouldn't download a car" to be the "real, original" text of these PSAs, while in reality this was a popular parody/meme that was made out of the PSA:
> https://www.reddit.com/r/MandelaEffect/comments/113qibd/you_...
A few spots for folks interested in some amount of numbers:
https://slate.com/culture/2024/04/book-sales-publishing-indu...
Link for the lazy https://neil.computer/notes/berkeley-mono-font-variant-popul...
https://open.spotify.com/track/65zwPZvsUCU55IpyWddFsK?si=bBf...
An obviously false statement which you can't possibly back up.
> Would you use Arial instead of Helvetica Neue? I certainly wouldn't. Put two posters side-by-side and you'd notice the Helvetica one as looking more professional, even without any design background.
First of all that's just completely your own subjective opinion. Second, there are many other free sans-serif fonts out there to choose from (examples[1]).
> Good design creates a reaction, such as causing you to buy something or interacting more with something or whatever
'Design' can encompass many things, but can you show me some data that backs up your claim that slight differences in fonts will make a difference in product quality/performance/revenue/etc? Because I have seen a loooot of data that says it's almost always completely irrelevant.
[1] https://fonts.google.com/?categoryFilters=Sans+Serif:%2FSans...
There are lots of things that can't be copyrighted.
For example you can't copyright an anatomy drawing: https://www.skeletaldrawing.com/licensing (i.e. the layout of the bones, etc) but you can copyright your specific drawing - but someone else could draw in the same style and not violate your copyright.
Same here: You can't copyright the shape of the letters, but you can copyright you specific ttf program (expression), but someone else can make the same letter shapes if they want.
But you can copyright a font name, so if someone copies your work and releases it under a new name... that's that's like creating a copy of the car piece by piece and giving it your own name.
So they were right: we not downloading a car, we never were. We were all just making copies.
edit: HN won't allow Fraktur[1] characters, even though they are in the unicode standard. Yet more evidence that font matters for the tone of the message you deliver.
Sort of off-topic, but interesting engine, which I never heard about (wasn't ever mentioned on HN either: https://hn.algolia.com/?q=Iceshrimp):
>Iceshrimp is a decentralized and federated social networking service, implementing the ActivityPub standard.
- Font letterforms are not copyrightable. (Eltra Corp. v. Ringer, 579 F.2d 294 (4th Cir. 1978) <https://en.wikipedia.org/wiki/Eltra_Corp._v._Ringer>)
- Font programmes are. (Generally 1980 Computer Software Copyright Act.)
- Cleanroom reimplementation of software is not copyright infringement. An AI without access to original source code would likely pass this test.
- As a further twist, it appears likely that courts will hold that AI creations are themselves not copyrightable (original works of authorship), such that the product of any such project would itself be public domain. (See: <https://www.reuters.com/legal/ai-generated-art-cannot-receiv...>.)
The whole scenario appears to open the door to liberation of all fonts for which public letterforms are available. This would be an "AI hole" (analogous to the ... analogue hole) for escaping copyright. Whether this liberation would occur before foundries passed new protective legislation will be an interesting question.
Jokes aside, I'm not very impressed with this single color font art. Maybe in 30 years we will have 16 color fonts?
The color fonts currently work in Firefox and Edge, Safari support SBIX, Chrome on Android has CBDT
I can barely find a website that has an example. The ones I found have a few characters or a single sentence, very few fonts and they are not very pretty. Some of the implementations warn that the client might catch fire.
I'm not impressed.
Some random examples of the state of the art.
Thought I'd had earlier: there's a lot of detail that goes into font design, particularly anticipating issues with specific media.
E.g., faces meant for wet-ink print often incorporates features to avoid pooling or smearing ink ("ink traps", see: <https://en.wikipedia.org/wiki/Ink_trap>). Electrostatic printing (a/k/a laserprinters), and screen-based displays (CRT, LED, Plasma, eInk) also have idiosyncrasies which fine-detail font design may take into account.
I'm not sure those would be hugely significant, but seem a domain in which a naive AI font designer might prove deficient.
What specific iOS apps would suffer greatly by having to use the ~75 font families that come with the device? How would they suffer exactly?
https://wiki.mobileread.com/wiki/List_of_fonts_included_with...
I would say that counts as interactivity.
From Wikipedia [0]
> Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW, Hoefler & Co., Fontsmith, Fontworks [ja] and Colophon Foundry, the company has gained the rights to major font families including Helvetica, ITC Franklin Gothic, Optima, ITC Avant Garde, Palatino, FF DIN and Gotham. It also owns MyFonts, used by many independent font design studios.[3] The company is owned by HGGC, a private equity firm.
For those less familiar with them, those are BIG names, and the acquisition of them could perhaps aptly be compared, for instance, to Disney's acquisitions of properties like Lucasfilm and Marvel.
IAAL outside the US, and I'm aware in UK and EU law copyright can subsist in typefaces, and there are specific provisions relating to them. Since FACT is a UK Org, taking UK law as an example, see ref. []
I personally find it a good example of aging law. It's quite difficult to reconcile the law as drafted (in 1987) with modern digital font uses. Is a PDF with embedded fonts "material produced by typesetting", or is it an "article specifically designed or adapted for producing material in a particular typeface"? Arguably it could be either.
I'm not aware of this ever having been considered by a court.
[] https://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/...
https://torrentfreak.com/rights-group-fined-for-not-paying-a...
https://torrentfreak.com/sorry-the-you-wouldnt-steal-a-car-a...
"Dyslexie font neither benefits nor impedes the reading process of children with and without dyslexia."
https://link.springer.com/article/10.1007/s11881-017-0154-6
I'm skeptical that any of these fonts actually make a difference. (Although if you like Comic Sans, you might as well continue using it; it doesn't do any harm.)
Bizarrely, it seems like the precedent has only gotten stronger since 1987. It was re-affirmed again by the Code of Federal Regulations, § 202.1[1], in 1992. Honestly, I don't fully understand why. I know that U.S. copyright law generally limits the ability to copyright things that do not involve sufficient originality or creativity, but while all typeface outlines are the same basic shapes, there's still plenty of room for creativity.
I also know that the U.S. is also not entirely alone in generally considering typefaces ineligible for copyright protection; I believe Japan also has a similar position. Maybe eventually, it will shift.
> IAAL outside the US, and I'm aware in UK and EU law copyright can subsist in typefaces, and there are specific provisions relating to them. Since FACT is a UK Org, taking UK law as an example, see ref.
Oh, I honestly didn't even realize FACT was a UK organization; I didn't really know a whole lot about them other than the commercial.
That makes this situation a bit more awkward, as Catapult was, IIRC, based in Cupertino, so Catapult may have not been breaking any U.S. copyright laws, even though their typeface would presumably be illicit by UK law. That said, they were possibly breaking Dutch copyright laws, and I'm not sure what happens there. I suppose that comes down to the nitty gritty of how international copyright treaties work, and I am way out of my depth there.
[1]: https://www.ecfr.gov/current/title-37/chapter-II/subchapter-...
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https://practicaltypography.com/why-does-typography-matter.h...