zlacker

I get the feeling, but at the same time, this feels like normal culture gaps. I don't get "sponge bob square pants" but there are people out that that insist it was if not a pinnacle of animation entertainment, then a hugely creative and entertaining show that deserves its place in the pantheons of animation. And all those huge 80's era properties that so many have years of nostalgic memories of, like transformers, he-man or voltron were all "cynical cash grabs" and 30 minute commercials for toys. So much so the concerned parents of the time demanded the government step in. Now the jury might be out on whether that generation is worse than previous generations, but if they are I don't think it's going to be because transformers was a toy marketing gimmick instead of high art with a strong moral message.

Kids I know find all sorts of things ridiculously amusing and entertaining and it all seems stupid, brainless and mind rotting to me. But then again, the stuff I found ridiculously amusing and entertaining at that age was (I can attest, having gone back and watched some of it) was just as stupid, brainless and mind rotting. Some of it is not having a "sufficiently developed palette" for humor and entertainment. Some of it is because that humor and entertainment was genuinely new to me at the time, where as now I've seen it before so when it shows up in the kids stuff, it's not entertaining anymore. It's sort of the reverse of the "Seinfeld isn't funny" issue. We're not looking at something in the past and wondering why it was so great because it's been out shadowed by what it inspired. Instead we're looking at something from today and wondering why it's entertaining because we've been entertained in the same way in the past.

>>tpmone+(OP)
Can't agree more. 10 years ago I looked up transformers uploaded to YouTube, and they couldn't stand the nostalgia test. Plots are primitive, characters are flat. It made me actually recall that by 13 years, I started feeling little embarrassment watching them because of thqe plot itself.

Apart from that, what surprised me was that it had vibes of 1950s: watercolor still images, and the music score not with analog synths (that we'd expect from the '80-s), but a (small) orchestra with TRUMPETS leading. (This was the biggest '50s factor for me.)