zlacker

It's not just "broad appeal". Shakespeare plays were made for broad appeal (he was a professional playwright, after all). Mozart's music was made for the broad appeal. I see nothing wrong with the broad appeal. It's what this appeal is made to and how. Humans have a lot of ways to appeal to them, and this particular way of appealing targets very base very addictive psychological mechanisms that ultimately hurt the person - just like addictive substances do. They don't make the users better or smarter or calmer or anything like that - if anything, they make them dumber and more attention-deficient. That's my problem with it.

> why haven’t they made things I don’t personally find appealing illegal yet

You are not good at reading, are you? I specifically said "I am not calling for government intervention or any of such BS" because I knew you are around and you are going to maliciously misunderstand me. But I guess the joke is on me since you didn't even bother to read that part.

>>smsm42+(OP)
>Shakespeare plays were made for broad appeal (he was a professional playwright, after all). Mozart's music was made for the broad appeal.

This statement is misleading because the broad appeal of both Shakespeare and Mozart today is the culmination of centuries of attempts to understand (and misunderstand) them. Calculus can be taught to high schoolers nowadays, but how many scientists in Newton's days could understand the Principia in its entirety?

Not to mention that Shakespeare and Mozart were both able to produce works of the highest sophistication that leaves most of their contemporaries (and many today) baffled. Harold Bloom wrote that the sophisticated word play in Love's Labour's Lost was not surpassed until Joyce, and Mozart's contemporaries complained endlessly about the complex textures in his opera finales. When Mozart wrote piano trios for the public, his publisher cancelled the series after two pieces because they were judged far too difficult for the masses, and when Mozart intended to write some easy piano sonatas at the end of his life, the first (the only one he completed) turned out to be the most difficult he ever wrote.

Invoking the popularity of Shakespeare or Mozart as analogues to Mr Beast reveals a fundamental misunderstanding of the longevity of both Shakespeare or Mozart, and leaves unmentioned the extensive body of difficult works on which their reputation rests today.

>>smsm42+(OP)
> I specifically said "I am not calling for government intervention or any of such BS" because I knew you are around and you are going to maliciously misunderstand me.

What does this mean? You introduced the idea of government intervention unprompted because you wanted to be misunderstood by me?

Generally speaking if I do not want to introduce a topic to a conversation I just don’t do that. The laying of rhetorical traps is too complex for me when conveying something simple like “I don’t like this guy on youtube”