I feel the need to point out that the issue is usually the opposite. Looking at 2023 only three wide release films have had a discrepancy where the critics were more than 20% higher than the verified audience score (Infinity Pool, You Hurt My Feelings, and Skinamarink if you were curious).
There are far more where the verified audience score is way higher and they tend to either be religious films or films with very low numbers of audience reviews (aka selection bias)