For example, I know artists who are vehemently against DALL-E, Stable Diffusion, etc. and regard it as stealing, but they view Copilot and GPT-3 as merely useful tools. I also know software devs who are extremely excited about AI art and GPT-3 but are outraged by Copilot.
For myself, I am skeptical of intellectual property in the first place. I say go for it.
I am also not a hypocrite; I do not like DALL-E or Stable Diffusion either.
As a sibling comment implies, these AI tools give more power to people who control data, i.e., big companies or wealthy people, while at the same time, they take power away from individuals.
Copilot is bad for society. DALL-E and Stable Diffusion are bad for society.
I don't know what the answer is, but I sure wish I had the resources to sue these powerful entities.
What did the photograph do to the portrait artist? What did the recording do to the live musician?
Here’s some highfalutin art theory on the matter, from almost a hundred years ago: https://en.wikipedia.org/wiki/The_Work_of_Art_in_the_Age_of_...
It completely destroyed the jobs of photo realistic portrait artists. You only have stylised portrait painting now and now that is going to be ripped off too.
This was of course a leading question. The point was to get you to think about what artists did in response to the photograph. They changed the way they paint.
I'm positive that machine learning will also change the way that people create are and I am positive that it will only add to the rich tapestry of creative possibilities. There are still realistic portrait painters, after all, they're just not as numerous.