For example, I know artists who are vehemently against DALL-E, Stable Diffusion, etc. and regard it as stealing, but they view Copilot and GPT-3 as merely useful tools. I also know software devs who are extremely excited about AI art and GPT-3 but are outraged by Copilot.
For myself, I am skeptical of intellectual property in the first place. I say go for it.
When Microsoft steals all code on their platform and sells it, they get lauded. When "Open" AI steals thousands of copyrighted images and sells them, they get lauded.
I am skeptical of imaginary property myself, but fuck this one set of rules for the poor, another set of rules for the masses.
That can't possibly be a valid claim, right? AFAIK copyright is "gone" after the original author dies + ~70 years. Before fairly recently it was even shorter. Something from 1640 surely can't be claimed under copyright protection. There are much more recent changes where that might not be the case, but 1640?
> When Jane Rando uses devtools to check a website source code she gets sued.
Again, that doesn't sound like a valid suit. Surely she would win? In the few cases I've heard of where suits like this are brought against someone they've easily won them.
I'm not a lawyer, but my understanding is that while the "1640's violin composition" itself may be out of copyright, if I record myself playing it, my recording of that piece is my copyright. So if you took my file (somehow) and used it without my permission, and I could prove it, I could claim copyright infringement.
That's my understanding, and I've personally operated that way to avoid any issues since it errs on the side of safety. (Want to use old music, make sure the license of the recording explicitly says public domain or has license info)