zlacker

>>davidg+(OP)
I’ve noticed that people tend to disapprove of AI trained on their profession’s data, but are usually indifferent or positive about other applications of AI.

For example, I know artists who are vehemently against DALL-E, Stable Diffusion, etc. and regard it as stealing, but they view Copilot and GPT-3 as merely useful tools. I also know software devs who are extremely excited about AI art and GPT-3 but are outraged by Copilot.

For myself, I am skeptical of intellectual property in the first place. I say go for it.

>>kweing+v6
When Joe Rando plays a song from 1640 on a violin he gets a copyright claim on Youtube. When Jane Rando uses devtools to check a website source code she gets sued.

When Microsoft steals all code on their platform and sells it, they get lauded. When "Open" AI steals thousands of copyrighted images and sells them, they get lauded.

I am skeptical of imaginary property myself, but fuck this one set of rules for the poor, another set of rules for the masses.

>>tpxl+O7
> When Joe Rando plays a song from 1640 on a violin he gets a copyright claim on Youtube. When Jane Rando uses devtools to check a website source code she gets sued.

Do you have any evidence for those claims, or anything resembling those examples?

Music copyright has long expired for classical music, and big shots are definitely not exempt from where it applies. Just look at how much heat Ed Sheeran, one of the biggest contemporary pop stars, got for "stealing" a phrase that was literally just chanting "Oh-I" a few times (just to be clear, I am familiar with the case and find it infuriating that this petty rent-seeking attempt went to trial at all, even if Sheeran ended up being completely cleared, but to great personal distress as he said afterwards).

And who ever got sued for using dev tools? Is there even a way to find that out?