zlacker

Had to read this a couple of times to try and figure out why, as of this moment, you’ve been downvoted because this seems like one of the more insightful comments on here. Maybe it’s too inside baseball about the post-deal opportunity? Anyway not supposed to talk about downvotes so…

You were there for a while. Was/is studio capacity still a constraint on production? You read so many stories about how LA studios are struggling to fill space because all of the productions have left town for tax credits elsewhere. Curious if you’re still plugged in enough and know that it’s still true about their studio space. I assumed their interest was strictly a content play and the extra studio space might actually be an anchor they were willing to drag along to get the content/IP.

>>harmmo+(OP)
Yeah, it's ok, can't win 'em all. Lots of negativity in this thread. Maybe people have a gut feeling that "Netflix buying WB" fits into the preexisting narrative about media consolidation, and they're reacting negatively to media consolidation being a problem. I think that's more of a problem in the news media than in entertainment media. In entertainment, the bigger story is the tech-centered transitions, esp. to internet distribution. I don't think the consolidation narrative is a perfect fit in this case; this is a pretty different type of consolidation than the others in recent memory.

I think this is about Netflix's model reflecting a fundamental technology shift; any company not participating fully in that shift will be operating less and less efficiently compared to those that are. Look at the inside history of HBO's attempts to build a streaming platform; in the early 2010s their leadership knew they probably should, but were their hearts in it? Did they have executives with competence in this area? No, they outsourced it and mismanaged it. Repeatedly. But like you said, my view includes being a former Netflix employee so maybe I'm biased.

I don't have current information on whether or to what degree studio production capacity is a constraint. Content spending was publicly projected to grow, so studio capacity had to grow, which is why Netflix decided to build giant new studio facilities in New Mexico and New Jersey. Those were referenced in the Q&A Netflix held Friday morning [1]. Wild guess: Netflix's own studios run at full capacity, which is why they're continuing to expand them. I'd love to know if WB studios run at capacity.

> I assumed their interest was strictly a content play and the extra studio space might actually be an anchor they were willing to drag along to get the content/IP.

Doubt it. Like I said, I'm not an insider on that question and I'm 6 years out of date. But if I had to guess, it would be that WB studio capacity will be a highly productive asset for Netflix -- most likely, it will be more valuable connected to Netflix's global distribution model that it was when operated under WB's model.

[1] Q&A transcript https://s22.q4cdn.com/959853165/files/doc_events/2025/Dec/05...