Edit: I agree Netflix has good Originals. But most are from the early days when they favored quality over quantity. It is sad to see that they reversed that. They have much funding power and should give it to great art that really sticks, has ambitions and something to tell, and values my time instead of mediocrity.
* The CIA laywer who doesn't know about green passport
* FUBAR
* The Diplomat
Don't look at only series. They also have recipes repurposed. But they acquire good titles and also produce some good ones.
I hate this era of consolidation but Warner and HBO have already degraded, so this may be the least bad outcome here.
That said, I'm more uncomfortable with the continued consolidation of media ownership and more outsize influence of FAANG tech over media.
The Crown, Stranger Things, Unbelievable, Russian Doll (wow, just wow), Orange Is The New Black, Narcos, Narcos: Mexico, GLOW, Daredevil, Jessica Jones, Ozark, Nobody Wants This, Altered Carbon, Dirk Gently, Mindhunters, The Queen's Gambit, Unbreakable Kimmy Schmidt.
And that's just what I can remember off the top of my head. And that's my taste, there's more not to my taste like Squid Game, Wednesday, Bridgerton, etc. And not including the films, documentaries, shorts, etc. they done like Love, Death and Robots.
The Simpsons, The Office, Game of Thrones, etc. all managed to go on too long without the help of Netflix.
Apple is at least trying to fill their old niche. It seems quite telling that the only company truing to do the whole “prestige TV” thing is a kind of side-project for a hardware company. At least nobody can buy them, though.
imo, that's the worst thing about Netflix. its not that they don't produce good series, its that when they do they have a high peobability of getting cancelled.
* The Devil's Plan
* Alice in Borderlands
* Extraordinary Attorney Woo
* Brassic
* Back to Life
* Intelligence
* Black Doves
* Top Boy
* Mo
* The Breakthrough
* Borgen
* Love Death & Robots
* Scavenger's Reign
As well as well-known stuff like Stranger Things and Squid Game as a sibling comment mentioned.
[Edit: replies point out some of these are bought rather than produced but I think it still counts for overall quality]
HBO hasn't produced good content in years at this point. Since before the last season or two of Game of Thrones, I should think. The other brands in Warner didn't even really have that much prestige.
But TV today is at least 55 inch and in crisp 4k resolution. A modern TV is good enough for most content.
It is not Netflix that killed the movieplex. They were just the first to utilise the new tools. The movie theater became the steam locomotive.
In the US, it's mostly their own productions and older content they explicitly acquired, but elsewhere, especially in markets that don't have a local HBO or Disney streaming service, they have incredible backlogs.
I remember finding basically everything I could wish for on there when traveling in SE Asia almost a decade ago, compared to a still decent offering in Western Europe, and mostly cobwebs in the US.
The issue IMO is so few movies are worth any extra effort to see. Steam a new marvel movie and you can pause half way through when you’re a little bored and do something else.
Ever year there are a few good shows and movies and a lot of mid-to-bad shows and movies.
This is not a Netflix thing, nor is it new.
See here: https://www.theguardian.com/tv-and-radio/2025/jan/17/not-sec...
Edit: I did really enjoy Frankenstein.
Large 4k TVs being this accessible/affordable for most households has not been an option for "decades"..
It is definitely sad to see Netflix turn from their early phase, where they valued quality over quantity, and since have reversed that.
I just want to see more great art that really sticks, has ambitions and something to tell, and values my time.
4k also makes little difference here, most people really don’t care as seen by how many people use simple HD vs 4k streaming.
All these studios fought the good fight against big tech over many years but the writing was on the wall.
Hopefully a future Progressive presidency reviews all these mergers and breaks up big tech big time.
Its out there, there just isn't great curation and in a world of ever increasing content more people just dont ever find it and accept whatever mediocrity they find.
The widespread affordability of large screen TVs has absolutely eroded the value of a movie theater.
This is silly. Most people don’t want to sit in a chair 3 feet from their TV to make it fill more of their visual area. A large number of people are also not watching movies individually. I watch TV with my family far more than I watch alone.
A home theater arguably is as much about the subwoofer and surround speakers as it is about the screen.
Especially the subwoofer has a big impact. When you feel the sound it's literally impactful. At other times, it really helps immerse yourself in the scene, even if it's not a typical bass sound, but like background noise in a busy city street.
The properly configured subwoofer makes you feel like you're there, while it just falls flat on a regular speaker.
That said, the fewest people have a home theater setup, so it's probably irrelevant to why people stopped going to the cinema.
Did you see the show Dark?
The problem movies have is they have a relatively short amount of time to deliver a complete story. 90 to 120 minutes just isn't a lot of time to be compelling. That's why some of the best movies are split into parts.
Consider Andor as an example. It's some of the best media ever made (IMO) and it simply would not work in the movie format. What makes Andor work is the excellent character development and the time spent building and shaping the universe under a fascist government.
Andor had no length constraints per episode. That allowed it to tell complete satisfying stories with the promise that you'll get more in the next episode.
What matters is the premium over a normal TV and how long it lasts. Spending an extra few hundred for something that lasts 5+ years wasn’t going to break most families budgets. As demonstrated by just how many of those TV’s where sold.
Adolescence (which won big at the Emmy's this year), Stranger Things, The Beast in Me, Last Samurai Standing, A Man on the Inside, The Gentlemen, Absentia, Baby Reindeer, Ripley, Arcane, Squid Game, Dynamite Kiss, Delhi Crime, etc.
Tell that to every streaming on their tablets sitting on their stomachs. People even watch movies on their phones but they aren’t holding them 15’ away.
Also you don’t need to sit 3’ from a 37” TV.
Dead Boy Detectives was canceled less than 5 months after it was released.
With so much competing for our time there's no way everyone is going to jump on every show immediately after it gets released and watch it several times over so whatever bullshit metrics netflix is using look impressive enough for them to give the show's fans a satisfying conclusion.
If you watched TV before netflix you might remember that sometimes it took two or more entire seasons before a show became popular. Some extremely popular and successful shows were like that and would never have happened if netflix had put them out.
And would you entertain the idea that few movies are worth seeing because going to the movie theatre is a hard sell for audiences, and studios produce movies that try and adapt to that reality?
"Hate the player AND the game (10 Sep 2025)" https://pluralistic.net/2025/09/10/say-their-names/#object-p...
"The one weird monopoly trick that gave us Walmart and Amazon and killed Main Street (14 Aug 2024)" https://pluralistic.net/2024/08/14/the-price-is-wright/#enfo...
"End of the line for Reaganomics (13 Aug 2021)" https://pluralistic.net/2021/08/13/post-bork-era/#manne-down
"10 Oct 2022 Antitrust is – and always has been – about fairness" https://pluralistic.net/2022/10/10/play-fair/#bedoya
And his archives for more:
> What matters is the premium over a normal TV and how long it lasts.
I think what matters for this conversation is how close the experience is to a theater. Rear projection 1080i is pretty far.
> Spending an extra few hundred for something that lasts 5+ years wasn’t going to break most families budgets. As demonstrated by just how many of those TV’s where sold.
Do you have some stats for how many were sold? Because I have hunch that sales of large screen TVs had absolutely skyrocketed over the past 20 years.
But this isn’t the point. TVs are furniture. People generally have a spot where the TV naturally fits in the room regardless of its size. No one buys a TV and then arranges the rest of their furniture to sit close enough to fill their visual space. If the couch is 8 feet from the TV, it’s 8 feet from the TV.
> No one buys a TV and then arranges the rest of their furniture to sit close enough to fill their visual space. If the couch is 8 feet from the TV, it’s 8 feet from the TV.
It’s common on open floor plans / large rooms for a couch to end up in a completely arbitrary distance from a TV rather than next to a wall. Further setting up the TV on the width vs length vs diagonal of a room commonly provides two or more options for viewing distance.
IMHO Frankenstein" was pretty terrible. The makeup was awful, the effects were cheap, the monster... wasn't a monster! The entire premise depends on him being a monster, not some sort of misunderstood, sympathetic EMO.
And some newer ones, American Primeval and the Beast in Me.
think old navy, gap, banana republic.
the quality difference is important for the conglomerate same with netflix vs hbo, the corporate benefit is being able to save on costs around like amortizing the corporate side of things (accounting, marketing, real estate, research ect)
The technology got quite good but inherently took up more space and eventually couldn’t compete on price. Though that also means you’re sitting closer to the screen which made replacement flatscreens in the same space look smaller.
1. It's going to get cancelled, so why invest my time. 2. I won't be able to find it.. discoverability is the absolute pits in that app.
Stranger things should have been one maybe two seasons.
Going to the movies costs an extra hour for the round-trip to the theater, ~$40 for adult tickets, ~$60 for the kids (2h babysitter or movie tickets), ~$20 for concessions. Whereas watching at home on our 75" TV with homemade popcorn costs a tiny fraction of that, even including electricity and popcorn kernels and the amortized cost of the TV.
As nice as it can be to see a good movie in a theater, it's typically not so much better than watching at home that it's worth an extra hour and more than a hundred dollars.
Andor isn’t as compelling as the original movie or significantly longer than the Harry Potter series of movies. Babylon 5 is probably the poster child for a long running space opera series with a planned story arch, but they added plenty of filler because you don’t actually need that much time.
If anything movies tend to be better than TV shows because of the time constraints rather than the budget.
This is a misconception on a similar level to thinking the monster's name is Frankenstein: "As depicted by Shelley, the creature is a sensitive, emotional person whose only aim is to share his life with another sentient being like himself."
https://en.wikipedia.org/wiki/Frankenstein%27s_monster#Perso...
Small TVs are not comfortable to watch. No one I know is okay with getting a smaller TV and moving their sofa closer. That sounds ridiculous. If there's any comfort to this capatilistic economy, it is the availability of technology at throw away prices. Most people would rather spend on a TV than save the money.
As for the theatre being obsolete, I do agree with you, atleast to some extent. I think everyone is right here. All factors combined is what makes going to the theatre not worth the effort for most of the movies. It's just another nice thing, not what it used to be.
Also, the generational difference too. I think teen and adolescents have a lot of ways to entertain themselves. The craze for movies isn't the same as it used to be. And we grew old(er). With age, I've grown to be very picky with movies.
Also, I see plenty of people use tablets to watch stuff laying on the couch in front of a big screen TV. So viewing distance is plenty relevant.
Have you read the book? She emphasises how pretty all the body parts that Victor picked were.
Yes because the situation of WB has nothing to do with their performance.
In 1990s they merged with TIME publishing right before the internet killed all magazines. In 2000s with AOL right before th dot com bubble. In 2010s with AT&T who realised they needed a shit ton of money to roll out 5G so they took a massive loan and charged it to Warner debt.
So WARNER keeps performing and the business side keeps adding debt from horrible decisions
Uh, the "monster" is definitely the most sympathetic character in the original novel.
If all of them "stand out" then none of them do.
It feels like a race to the bottom. Movie and TV content quality has taken a nose dive in the past decade.
Yes, there are exceptions, but it’s hard to find these days.
Maybe it’s because producing movies/TV is so much easier and cheaper that there is now so much low quality noise, that it makes finding the high quality signal so difficult.
But it seems like you used to be able to go to the theater and you’d have to decide between several great options.
Now, I almost never care to go because it’s only about 2-3 times a year that anything comes out worth seeing.
For me, the price is killing it (80% of the reason) and bad movies (20%)... two tickets, drinks, popcorn/nachos/candy/something, and we're in the 50eur+ range. Then add the messy audiences, ads, trailer#1, more ads, trailer #2, another ad for some reason, and it's been 20 mintues of technially all ads for something that i paid money for. Then the movie is a total disappoint. I'm not into superheroes nor into pedro pascal, so most of the movies are out before i even buy the ticket and the rest are somehow... just 'bad'. Watching a bad movie at home is ok... you fall asleep, press stop, it doesn't matter... whatching a bad movie at an artsy film festival is also ok.. it was low budget, the ticket was 4 euros, no popcorn, had beer before you enter, so you can fall asleep in the cinema and hope not to snore. But 50 euros and all the ads for a bad movie is just too much.
Corollary: I really miss Inside Job
still different than media people PAY for. for example substack sells empty opinions that agree with you. it is totally wrong to say that slop sells. it is merely the highest engagement for an audience that DOESN'T pay.
you could say, "engagement is the wrong metric," but if that were really true, tech jobs would contract like 50%. the alternative becomes, "would you like fries with that?"
In an impressive bit of gaslighting they actually said "With bigger boxes, we’re showing more information up front to help you make a better decision," because nothing gives you 'more information' like giving you barely any information on the screen at all. They also spent a fortune infesting their product with AI, but you still can't use it to get basic features people have wanted for ages like a list of everything leaving netflix in the next month.
In reality this just lets netflix hide more of what's avilable from you so that they can aggressively advertise what they want you watch instead of what you'd rather be watching and as a bonus they can charge companies extra for visibility/not hiding their shows from subscribers.
Cinemas were a way to share the cost of technology to show high quality movies among hundreds of people.
Most people now has that tech at home, so there is no need for cinemas anymore.
I went to my local cinema a few times before it closed last year. There were never more than 3 spectators.
I'm really concerned about them ruining the Magic Mike franchise.
As I said, the contrast between "pretty" or "human" traits vs "monster" just wasn't there.
My wife and I used to be avid theater goers. We used to watch at least five movies a year in the theaters; more if you count the times we went individually. Almost all of the theaters we visited were high-end lounge-style movie houses. Think "Alamo Drafthouse," which is a poster child for the downfall of theaters I'm about to describe.
We're the perfect demo for the movie theaters: free time and disposable income. Yet, we've only seen two movies in the theaters this year, and not for lack of trying.
Theaters are in a kind-of death spiral. they're losing revenue to streaming, so they can't invest in making an experience that attracts people to the theater, which leads to them losing more revenue to streaming, etc. Companies circling the drain are perfect targets for M&A and enshittification in the name of growth.
This is exactly what's happening to high-end theaters: Moviehouse and Eatery (a small chain of high-end theaters) selling to Cinépolis, Alamo Drafthouse selling to Private Equity, IPIC starting to raise red flags, and probably more.
The end result is always the same: endless ads appear where mostly-ad-free prerolls used to be, food and drink prices go up while quality goes down, service gets worse as staff are asked to do more for effectively-less pay, and previously-super comfortable lie-flat lounge seating gets more and more decrepit, all while increasing ticket prices!
All of this is even more insulting when the movies you pay to see are distributed by Netflix or Apple and are all but guaranteed to end up on their platforms in mere weeks, sometimes with better post-production.
We used to happily pay $100+ for a night out at the movies seven years ago. Our experiences have gotten costlier and more disappointing, however. Families deciding to drop $1500 on a 100" TV with an Atmos soundbar and relegating the theaters to the past makes total sense to me. It's sad --- theaters are a social experience and have given me so many great memories --- but it was all but an eventuality the minute streaming on Netflix went live.
It’s a more private/personal experience. Turning on the TV means everyone watches.
> It’s common on open floor plans / large rooms for a couch to end up in a completely arbitrary distance from a TV rather than next to a wall. Further setting up the TV on the width vs length vs diagonal of a room commonly provides two or more options for viewing distance.
You’re essentially arguing that people can arrange their furniture for the best viewing experience. Which is true, but also not what people actually do.
The set of people willing to arrange their furniture for the best movie watching experience in their home are the least likely to buy a small TV.
I agree with this take. Netflix has some good originals, but it's not in the same category as HBO/WB. Most (not all) of their series feel cheap, shallow, unoriginal. The quality and hit rate just aren't the same.
Telling a story in a "tight 90" means making very deliberate choices about what to include, what not to, and how to make scenes do double duty. Having 23 episodes a season lets you slow down, spend time with the characters that's not all focused on the season plot, it lets you have B-stories in every episode. A 10-hour season doesn't get to do that, but it doesn't enforce the same discipline as 90-120 minutes.
Compare Star Trek: Deep Space Nine to Star Trek: Discovery or Star Trek: Strange New Worlds. I greatly enjoy SNW, but the characters and their relationships with each other are in no way as substantial as in DS9 (or even TNG, which was much less character-focused than DS9).
The casting was OK, but they mangled the plot and motivations of every character nearly beyond recognition!
If you care about animation as either a visual or storytelling medium, Netflix has made a lot of the best movies and series of the past few years possible or accessible. (Having to pirate Pantheon S2 because it was initially only released in Australia was not fun.)
Nearly everything on there sucks now. It's all campy politically-undertoned garbage and not anything I would consider fun to watch or a great way to waste my time. The first squid games was neat. A novel concept and interesting. Then Netflix did what they do best and netflix-ify it into a political message rather than a horror film. The latest Ed Gein show had the potential to be amazing but ended up falling into the same campy, political, director had too much creative liberty trash.
They are a tired company that has strayed from their roots. The Warner Bros acquisition makes complete sense because the entire media entertainment apparatus is capable of only producing:
1. Remakes of movies that are themselves remakes
2. An hour and a half movie where they try to inject The Message into as many frames as possible
3. A campy nearly serious movie that needs stupid jokes injected for the squirrel-brained morons that pay for it.
The entertainment industry is in a financial nosedive because no one wants this garbage anymore.
* More precisely it's Scottish/American
People still do this while home alone, you’re attacking a straw man.
> least likely to buy a small TV.
People can only buy what actually exists. My point was large TV’s “have been out for decades they really aren’t a replacement” people owning them still went to the moves.
--Ticket prices of $20 or more per person.
--Jaw-dropping prices on snacks and drinks.
--People talking and using phones during the movie.
--30 minutes of ads before the movie. Not coming attractions but straight-up commercials when you've already paid $20 to be there.
--The general slop quality of most movies being made if you're not a comic book or video game fan (and frankly even if you are).
The above bullshit was enough that I stopped going to movie theaters more than about once per year. And then COVID happened.
Maybe? You’re making blind assertions with no data. I have no idea how frequently the average person sits in front of their 60” TV by themselves and watches a movie on their tablet. My guess is not very often but again, I have no data on this.
> My point was large TV’s “have been out for decades they really aren’t a replacement” people owning them still went to the moves.
And we come back to the beginning where your assertion is true but also misleading.
Most people have a large tv in their homes today. Most people did not have this two decades ago, despite then being available.
The stats agree. TV sizes have grown significantly.
https://www.statista.com/chart/3780/tv-screen-size/?srsltid=...
> His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.
This was probably always true, with some randomly amazing years every now and again, like 1972 (The Godfather, Cabaret, Deliverance, What's Up Doc?,...).
IMDB listing shows 470 films released US in 1972. Google says there are ~3,900 IMDB entries for 1972 (why the 4X discrepancy?). The hit ratio was veeeery small even in killer years.
I described what is happening, not what I want to have happen.
Anyway it is entertainment media, not news media, so less of a big deal. But yeah it would be nice if somebody else tried.
I’ve seen or talked to more than five people doing it (IE called them, showed up at their house, etc) and even more people mentioned doing the same when I asked. That’s plenty of examples to say it’s fairly common behavior even if I can’t give you exact percentages.
Convince vs using the TV remove was mentioned, but if it’s not worth using the remote it’s definitely not worth going to the moves.
Survivor bias is very misleading.
It's like having a restaurant that serves 300 million people. You can try to offer every type of food there is, but most people may not like most of them. Which is fine, as long as you have something they like.
And for all that, it's likely still not up to par with a theater, unless you geeked out on a dedicated theater room.
The same goes for food; there are things that are quite controversial, but who says no to fantastic ice cream or bread?
But most importantly for movies, it is not the micro-genre that decides. People who are not into fantasy or astrology still love Lord of the Rings or Interstellar because they are particularly highly produced, where all crafts making up that movie are treated highly instead of strategizing and optimizing.
With a subscription service 10 years ago, you just need to have enough must-see content:
- Original scripted TV series that become mainstream known and/or seen as prestige TV, like "The Crown," "Mindhunter," "Bridgerton," "Stranger Things" etc.
- "Crown Jewel" reruns with huge fanbases such as The Office, Friends, Seinfeld, Modern Family, Breaking Bad, Better Call Saul, Arrested Development, etc.
- Unscripted TV series that become buzzy - like Love Is Blind, Tiger King, etc.
Having those categories all well-stocked ensures that only a fool would cancel their Netflix subscription as they'll be out of the loop when the new season of a 'zeitgeisty' show drops. You don't really need all your viewers to watch more hours to get more money every year, you can grow revenue with a combo of new viewers and price increases as long as users just watch regularly.
I think present-day Netflix sees incentives:
- to get as many people on the ad tier as possible so they can scale revenue with watch time
- to increase watch time which is a solved problem via psychological manipulation if you have good ML like they do
- more watch time without spending more money points pretty obviously to lowering cost per show as much as you can, which manifests as worse quality, more reality, more imported dubbed shows, etc. and drastically curtailing giving huge checks to the Matthew Weiners, David Benioffs, and Vince Gilligans of the world to bet on a massive superhit.
So they will want to focus heavily on the unscripted category plus whatever they can slap together cheaply, then autoplay and optimize their way to growth.
Meanwhile most theaters are 2k, lack dolby vision or other HDR, have worse audio (many can't do Dolby Atmos with proper height channels), and are filled with people using their cell phones through the entire film.
Cinema is either dead, or on life support.
The only shortcoming now really is if you want to view with several people and socialize after, it may be difficult for someone to accommodate a large party with good viewing in their home without a theater setup. And of course audio, audio is where theaters can still stand out. It’s a pain in the ass for most homes to setup a good sound system, you really often do want a dedicated theater area which most aren’t going to have. A soundbar helps. You can Jerry rig some surround speakers into any space but it’s often a pain. So that’s really the last barrier: cheap low latency sound that can beat a theater.
For me comfort trumps the slightly degraded sound. Plus some baby crying or random person chatting during the movie can break that as well.
Nothing against people who like them, to each his own. But the throughput of quality programming out of HBO has dropped off a cliff through it's multiple changes in ownership.
We've lost nothing with WB except more Joker: Foile a Deux and Wonka garbage.
note: I hate ads so I'm not trying to manifest this, but can you explain why you're so sure of this?
To me, it seems like they "should" (for greed reasons, I mean, not for my happiness) hike the prices of subscriptions aggressively while keeping the ad-tier attractively-priced, moving as many people as possible over. This increases ad revenue and allows more YoY growth if their ML can manipulate you into more watch hours in 2027 than you do in 2026.
Sure, some people like me will probably drop Netflix before they'll pay $35 a month or endure ads. But the current delta is only $10. I suspect they can make $10 a head in ad revenue in a year -- and if they can make $15, they would break even if they lost 3 ad-free subscribers but gained 2 back onto the ad tier. Anything better than those numbers would be a net gain.
The cinema experience lost its magic. If Netflix reimagined a new model of cinema, what would it look like?
I dunno. Sex is part of human existence so it shouldn’t be off-limits for media IMO. But the sort of perfunctory thing where every show on Netflix or HBO has to have some nudity in the first couple episodes was a bit annoying. I don’t mind the lack of nudity in Apple’s stuff. There’s a balance that Apple falls on the “overly conservative” side of, though.
What’s adult mean to you? Nudity, violence, I dunno. Severance considers things like self-identity and the fake personalities, and fake social constructs of our workplaces… it seems more adult to me than a gangster or cowboy story.
I also quite like Pluribus, it feels like actual sci-fi (in the same way 3 Body Problem from Netflix does, actually—legit sci-fi, not action heroes in space).
Wait, the ad tier isn't free? Good god....
For example, The Shawshank Redemption has very high rating on IMDB, but also many people have never seen it and are not interested in watching it.
This is very anecdatal, certainly, but I've spoken/overheard a few neighborhood hospitality business owners that had to forclose or cut down due to the constant decline of people leaving the house to just meet in a bar or coffee shop. Only sport nights keeps them going, because sports online remain expensive in most places.
Maybe just my observation or my neck of the woods, but seems to fit the general sentiment of a reduced social environment on the streets in certain parts of the world.
Contrast a few years ago when avengers endgame came out, and Spiderman far from home came out shortly after that, and No Way Home a few years after that... They were lively events. People dressed up, the theater handed out free swag and merch, and it was just a really cool shared experience, almost akin to a live concert.
I don't know exactly what's changed in that time, considering No Way Home came out after Covid and it was still a spectacle of an event, but I don't think cinema will get its magic back.
A few years ago I did go to a "Stranger Things" experience and I think that might be the future of shared experiences/narratives. It was essentially a week-long pop-up event, you'd get tickets, and it was basically a "walking simulator" that took you through a narrative within the Stranger Things universe. This wasn't just a bunch of people looking at a screen, it was live actors, holographics, sound design, lights, a lot of crazy stuff for a pop-up venue.
As a fan of the franchise it was really well done. A friend of mine want to a similar "Experience" for the Bridgeton universe, which I care nothing about, but she really enjoyed it as well.
So I think if Netflix were to reimagine cinema, it would probably be in that direction.
https://en.wikipedia.org/wiki/List_of_HBO_original_programmi...
I don't recognize half the titles on that page.
They also make less content overall. This makes sense because they are one TV channel and assume you can get your reality TV fix somewhere else.
Netflix wants to be the only thing you watch. So they have to serve all needs.
But those kinds of movies are rare- and it is expensive. You have to drive and park for half an hour, pay 30 euro for two tickets and ofcourse the drinks. Not something I want to do every week.
Yes we watch a lot of movies home, but there are multiple festivals every year curating interesting content.
I agree, and I go one step beyond:
Any "series" is BY DEFINITION, bad. If to tell a good story you need +4 episodes, you're doing a poor job. Or, what's real, you're just bloating it ON PURPOSE to keep people attached to their screens.
If Citizen Kane, Tokyo Story, 2001 Space Odyssey or any other good film managed to tell their story in <3hs, I'm sure any other of these "originals" should be able to do the same.
The real quality resides in making something SHORTER and condensed. This is when you start playing with REAL cinematic mechanisms. For example, Seven Samurai is well known for its use of motion and dynamism. Kurosawa communicates a lot without using dialogue, just by the use of movement of the characters or the background. Today's productions are just: explicit dialog > cut scene nature > explicit dialog > cut scene nature > etc.
Some stories might need longer runtimes, like Lord of the Rings or whatever "bigger universe" it is. But these are EXCEPTIONS, not the rule.
For the record, I do enjoy some Series: Friends, The Office, etc. But these are just comedies, and one could argue they're explicitly made to be "bloated" (in terms of length span).
> Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away
PS: I know I'm going to get downvoted to oblivion but I don't care.
If you want some anecdota, I do this regularly. If I'm watching something and I may have to move somewhere in the house during, it's just practical.
I think a proper subversion would be to remove that tension and see the peppes reaction anyway. That shows the true reality of humanity once you're on the "other side" after decades of older generations thinking otherwise.
And he succeeded.
>The writing is on the wall
That everyone will blow themselves up to get a big acquisition paycheck as these companies crash a century of collective culture? I guess so.
It's also almost like we shouldn't have one restaurant serve 300m people. Aka a monopoly.it'll collapse overtime anyways, because of you're competing on slop you can't beat the social media model of a bunch of low cost addictive TikToks for "free". The race to the bottom was already won and ot doesn't cost $25/month.
I wasn't going to downvote you till this part.
Anyways, I disagree. But it really comes down to what you value in a story. You're not going to get the rich lore of Mordor, or even Tamriel in a 2 hour runtime. Movies excel at creating character moments, and any kind of worldbuilding that isn't built on an entire series will feel shallow. Or maybe boring because it will take the entire runtime and you have nothing to attach to.
Samurai jack feels like a great example. It could have been a focus oneshot on how Jack got back to the past and beat Aku. A great one, even. But that's not what the show is about. It's showing the long term effects of aku' reign, how society adapted around it, how the next generation receives propaganda to keep serving their tyrant, and the small bits of rebellion and hope shed among it. Jack getting back to the past to undo all that wasn't why Jack is thought of as a great hero. It's the influences he had and seeds of hope he sowed among the dystopia
(And yes, now Netflix owns that).
Home is convenient, but also small and thus limited. Having a large commons to go out to helps. But that might not be the case for Gen Z as they adjust from 200 inch screen to 7 inch ones for consuming media. Why spend 150 million on a cinematic experience when a single creator spends maybe a week planning a 30 second tiktok for engagement?