He always felt culturally like family to me. His peaks—the biting humor about corporate absurdity, the writing on systems thinking and compounding habits, the clarity about the gap between what organizations say and what they do—unquestionably made me healthier, happier, and wealthier. If you worked in tech in the 90s and 2000s, Dilbert was a shared language for everything broken about corporate life.
His views, always unapologetic, became more strident over time and pushed everyone away. That also felt like family.
You don’t choose family, and you don’t get to edit out the parts that shaped you before you understood what was happening. The racism and the provocations were always there, maybe, just quieter. The 2023 comments that ended Dilbert’s newspaper run were unambiguous.
For Scott, like family, I’m a better person for the contribution. I hope I can represent the good things: the humor, the clarity of thought, the compounding good habits with health and money. I can avoid the ugliness—the racism, the grievance, the need to be right at any cost.
Taking inventory is harder than eulogizing or denouncing. But it’s more honest.
There are many responding about “ignoring racism,” “whitewashing,” or the importance of calling out bigotry.
I’m not sure how that follows from a comment that literally calls out the racism and describes it as “unambiguous.”
Striving to “avoid the ugliness” in your own life does not mean ignoring it or refusing to call it out.
But at an art gallery, Picasso is near worshipped despite his torrid misogyny and abuse in his personal life which was terrible even by the standards of his day. The views on his art were formed at a time before cancel-culture was a thing.
Realising:
- everyone has performed good and bad actions
- having performed a good action doesn't "make up for or cancel out" a bad action. You can save thousands of people, but murdering someone still should mean a life sentence.
- you can be appreciated for your good actions while your bad actions still stand.
: all these take some life experience and perhaps significant thought on the concepts.
> But at an art gallery, Picasso is near worshipped despite his torrid misogyny and abuse in his personal life which was terrible even by the standards of his day.
Picasso's work is the thing that is generally venerated, not so much the (rather loathsome) man himself. Similarly for Eric Gill, who produced great artistic work despite being an truly awful human being.
Scott Adams seems to have confined himself to merely expressing prejudiced views, amplified somewhat by his modest fame. But then his creative work doesn't in any way match Picasso's or Gill's either.
Scott's body of work spans many years and - like music bands - the early stuff is much different to the later stuff. To say he confined himself to "expressing prejudiced views" seems to overlook a whole lot of that early work.
To say his work doesn't "match" other artists work is subjective. I got/get the occasional giggle out of Dilbert - more often in the earlier ones. I don't care for Picasso's art at all but I recognise that other people do. Who's body of work should I personally rate higher? The top comment mentions feeling like Scott was family, while acknowledging all the flaws of Scott.
This is why I mention that good and bad actions can both stand.
Scott's work in the 1990s (i.e. ~30 years ago) was genuinely very funny at the time for anyone who worked in an office, including myself, when I was working as an engineering intern at a company. One strip I remember in particular came out just when our company had announced some silly new initiative and gave out free sweatshirts to motivate everyone, and the Dilbert strip that Sunday was almost exactly the same thing except it was t-shirts there. The timing was eerie.
It's sad to me how Adams fell, which largely seemed to happen after the popularity of Dilbert waned and may have been a reaction to that, but his work was funny and lovable in its earlier days.