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[return to "Netflix to Acquire Warner Bros"]
1. pharte+n4[view] [source] 2025-12-05 12:50:48
>>meetpa+(OP)
I don't like this. Netflix rarely creates excellent content; instead, it frequently produces mediocre or worse content. Will the same happen for Warner? Are cinemas now second behind streaming?

Edit: I agree Netflix has good Originals. But most are from the early days when they favored quality over quantity. It is sad to see that they reversed that. They have much funding power and should give it to great art that really sticks, has ambitions and something to tell, and values my time instead of mediocrity.

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2. jmkd+x9[view] [source] 2025-12-05 13:20:11
>>pharte+n4
Cinema is indeed second behind streaming. The theatrical window is now so short (~40) days that audiences are happy to wait for the increased benefits and reduced cost of watching at home.
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3. PearlR+Di[view] [source] 2025-12-05 14:07:29
>>jmkd+x9
This was inevitable. Technology was bound to catch up. Hollywood actually panicked in the 1960s. But those screens were tiny. Nobody wants to see the Godfather on a cheap 1974 Panasonic.

But TV today is at least 55 inch and in crisp 4k resolution. A modern TV is good enough for most content.

It is not Netflix that killed the movieplex. They were just the first to utilise the new tools. The movie theater became the steam locomotive.

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4. underl+q41[view] [source] 2025-12-05 17:30:43
>>PearlR+Di
I was flabbergasted to find that there are 100" TVs available for sub-$1500. Only a few years ago, they were five figures, minimum. Combined with a decent audio set-up, you really can have 90% of the theater experience at home.
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5. mapont+gF1[view] [source] 2025-12-05 20:19:25
>>underl+q41
As you say, Walmart now sells 100" 4k TV's with HDR for less than the average persons tax return. They often have them in-stock in the store.

Meanwhile most theaters are 2k, lack dolby vision or other HDR, have worse audio (many can't do Dolby Atmos with proper height channels), and are filled with people using their cell phones through the entire film.

Cinema is either dead, or on life support.

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