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[return to "Netflix to Acquire Warner Bros"]
1. afavou+Jd[view] [source] 2025-12-05 13:44:09
>>meetpa+(OP)
Any consolidation like this seems like a negative for consumers. But at least it wasn’t bought by Larry Ellison, as was considered very likely (assuming this merger gets approved, in the current administration you never know).

From a Hacker News perspective, I wonder what this means for engineers working on HBO Max. Netflix says they’re keeping the company separate but surely you’d be looking to move them to Netflix backend infrastructure at the very least.

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2. taeric+Cw[view] [source] 2025-12-05 15:13:02
>>afavou+Jd
This particular one could be ok for them? A major cost for Netflix in the modern era is licensing contracts that never adjusted to the streaming world. As such, consumers may actually get access to some backlog of WB stuff that is otherwise not worth offering?
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3. throwa+yE[view] [source] 2025-12-05 15:46:44
>>taeric+Cw
My guess is you are right for some properties that WB owns outright, but legacy IP that has rights shared, especially pre-streaming rights will still have a lot of barriers/untangling to do.

I think Netflix is the most well run media company today by a mile, but also on the spectrum of quality/art -vs- straight money/tech domination they fall into the latter category, and they are the among the least friendly to creators as far as contract/rights.

We will see.

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4. autoex+hh1[view] [source] 2025-12-05 18:29:06
>>throwa+yE
Netflix is a terrible media company. They don't invest in their library and are happy to cancel shows without concluding them screwing the creators and the fans. They canceled a show within the same month it released!

If a show does somehow get more than one season they can also be painfully slow. Stranger things took a 9 years to drop just 5 seasons. The Witcher was 6 years for just 4 seasons.

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5. taeric+Dn1[view] [source] 2025-12-05 18:56:00
>>autoex+hh1
I mean, I'm not going to try and defend them from never having made bad calls. But, I'm not clear that they are any worse at this than other media companies?

To wit, finding a show that was canceled the month it was released probably isn't that hard? Same for shows that had trouble keeping cadence. Especially during COVID.

Do we have data that shows they are worse?

(Also, I think it is perfectly valid to object to this acquisition on other merits. I just would love some old backlogged cartoons to get wider distribution.)

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