zlacker

>>meetpa+(OP)
Any consolidation like this seems like a negative for consumers. But at least it wasn’t bought by Larry Ellison, as was considered very likely (assuming this merger gets approved, in the current administration you never know).

From a Hacker News perspective, I wonder what this means for engineers working on HBO Max. Netflix says they’re keeping the company separate but surely you’d be looking to move them to Netflix backend infrastructure at the very least.

>>afavou+Jd
Maybe there are licensing restrictions or other things that prevent it, but wouldn't it make more sense to combine HBO Max and Netflix into a single app? Or at least make all HBO Max content also available in Netflix (and then eventually sunset HBO Max). That would make a Netflix subscription a much more compelling purchase for a ton of people.

>>meowfa+um
Not attacking you in particular, but I've always hated how we talk about "licensing restrictions" as if they're some kind of vague law of nature, like gravity. Oh, Studio X can't do Y... Because Licensing. "Licenses" are entirely conjured up by humans, and if there was an actual desire by the people who make decisions to change something, those people would find a way to make the "licensing restrictions" disappear. Reality is, the people making these decisions don't want to change things, at least not enough to go through the effort of changing and renegotiating the licenses. It's not "licensing restrictions" that is stopping them.

Same always comes up when we talk about why doesn't Company X open source their 20 year old video game software? Someone always chimes in to say "Well they don't because of 'licensing issues' with the source code." as if they were being stopped by a law of physics.

>>ryandr+ZE
Speaking as someone who once worked at a company where these were real issues that came up - it's very often the case that intermediate parties in the contracts have dissolved.

Renegotiating the contracts would require lengthy and expensive processes of discovering the proper parties to actually negotiate with in the first place.

Although the contracts that were already executed can be relied upon, it truly is a can of worms to open, because it's not "Renegotiate with Studio X", it's "Renegotiate with the parent company of the defunct parent company of the company who merged with Y and created a new subsidiary Z" and so on and so forth, and then you have to relicense music, and, if need be, translations.

Then repeat that for each different region you need to relicense in because the licenses can be different for different regions.

The cost of negotiation would be greater than the losses to piracy tbh.

>>ynx+KL
That’s why I strongly believe there needs to be term limits on these kinds of contracts. Copyright is supposed to benefit the consumer, after all.

>>jquery+2X
Copyright has never been about benefitting consumers. Or artists, for that matter.

It was invented to protect publishers (printing press operators). That continues to be who benefits from copyright. It's why Disney is behind all the massive expansion of copyright terms in the last hundred years.