> Alsup ruled that Anthropic's use of copyrighted books to train its AI models was "exceedingly transformative" and qualified as fair use
> "All Anthropic did was replace the print copies it had purchased for its central library with more convenient space-saving and searchable digital copies for its central library — without adding new copies, creating new works, or redistributing existing copies"
It was always somewhat obvious that pirating a library would be copyright infringement. The interesting findings here are that scanning and digitizing a library for internal use is OK, and using it to train models is fair use.
> But Alsup drew a firm line when it came to piracy.
> "Anthropic had no entitlement to use pirated copies for its central library," Alsup wrote. "Creating a permanent, general-purpose library was not itself a fair use excusing Anthropic's piracy."
That is, he ruled that
- buying, physically cutting up, physically digitizing books, and using them for training is fair use
- pirating the books for their digital library is not fair use.
So Suno would only really need to buy the physical albums and rip them to be able to generate music at an industrial scale?
If the output from said model uses the voice of another person, for example, we already have a legal framework in place for determining if it is infringing on their rights, independent of AI.
Courts have heard cases of individual artists copying melodies, because melodies themselves are copyrightable: https://www.hypebot.com/hypebot/2020/02/every-possible-melod...
Copyright law is a lot more nuanced than anyone seems to have the attention span for.
But Suno is definitely not training models in their basement for fun.
They are a private company selling music, using music made by humans to train their models, to replace human musicians and artists.
We'll see what the courts say but that doesn't sound like fair use.
The law doesn't distinguish between basement and cloud – it's a service. You can sell access to the service without selling songs to consumers.
When a general computer using agent recreates songs in Logic Pro in high fidelity, then what?
It’s called Fair Use for a reason – we let humans Use things generally and ask them to be Fair.
Or we can go in the direction of movies and TV where screenshots of protected content show up blank on my iPhone. Just in case someone wanted to, god forbid, clip the show.
>It’s called Fair Use for a reason – we let humans Use things generally and ask them to be Fair.
So exhausted with people who come to these threads and try to discuss legal issues by only paying lip service to the words and not their meanings, let alone the actual law that they seem to want to debate. Then they go even further and turn it into some grand political statement, or hypothesize why copyright shouldn't exist at all. But there is absolutely no jurisprudence that would indicate a DAW is the kind of tool I described. I understand you came up with an argument in your head why it could be, but I'm letting you know that in the law, it's not what would be considered a reasonable argument and it would go nowhere.
DAWs are tools made to create music, generally. They do not contain banks of copyrighted materials to which the user ultimately pulls the copying "trigger" (that's the system I described).
I hope that helps.
DAWs are tools made to create music, generally. They do not contain banks of copyrighted materials to which the user ultimately pulls the copying "trigger" (that's the system I described).
Imagine we invented some new hypothetical technology to take all of the sample packs in the world as input and produce new sample packs that humans haven't thought of before. Should we figure out how to license those packs fairly or pretend we never invented it?
Only so many artists have the patience to make each drum from scratch.