zlacker

>>todsac+(OP)
Is this the wrong time to rant about font licensing though? I’ve always bought and paid for fonts, but as I’ve gradually transitioned to mobile app development, I one day realized that all the fonts I bought for print are now worthless to me.

These crazy outdated licenses that let you print as many magazines or books you want forever, for a one-time price. But if your hobby is making apps, then suddenly the same font will cost you 50 times more - for a single year.

I guess these font sellers imagine there’s still some app boom - a Klondike rush with developers bathing in dollars. Maybe if their licenses were more realistic, piracy would be less of a problem.

>>phony-+X3
There is maybe nothing in the entire world that I am less sympathetic towards than the cause of font piracy / font liberation. You have perfectly good --- in fact, historically excellent --- fonts loaded by default for free on any computer you buy today. Arguing for the oppression of font licenses is, to me, like arguing about how much it costs to buy something at Hermès. Just don't shop at Hermès.

>>tptace+He
Part of the problem is that Monotype has a bit of a monopoly in the upper segment of the market though right? I know they're not the only players, but it feels like they've vacuumed up enough small, successful foundries that they now control enough of the market that they can get away with the kind of aggressive behavior that wouldn't be tenable in a healthier, more competitive marketplace.

From Wikipedia [0]

> Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW, Hoefler & Co., Fontsmith, Fontworks [ja] and Colophon Foundry, the company has gained the rights to major font families including Helvetica, ITC Franklin Gothic, Optima, ITC Avant Garde, Palatino, FF DIN and Gotham. It also owns MyFonts, used by many independent font design studios.[3] The company is owned by HGGC, a private equity firm.

For those less familiar with them, those are BIG names, and the acquisition of them could perhaps aptly be compared, for instance, to Disney's acquisitions of properties like Lucasfilm and Marvel.

[0] https://en.wikipedia.org/wiki/Monotype_Imaging

>>readbe+Ec1
Serious question: who cares? There is no scarcity of high quality fonts (there are more of them available to ordinary people today than at any point in history). So they control Hoefler. If that's a problem for you, don't use Hoefler faces.

>>tptace+Zd2
You're missing a key thing: font face is an artistic choice. The current situation around font licensing is akin to one guy "owning" a color.

https://en.wikipedia.org/wiki/Vantablack

>>mbonne+gEc
No it's not. It's nothing at all like owning a color. A color is a property of nature. It's not an "artistic choice".