>A signature characteristic of Netflix’s strategy over the years has been to define genres into microscopic sub-genres and develop content on very specific customer likes — for example “Urban teen geniuses who invent time travel”
>There is an unfortunate issue with making things bad and to somebody’s taste — the person whose taste you are courting may be happy to be courted but if all they ever get of things to their taste are things that are bad representations of that taste they may come to sour on what they once loved.
and that is I think what happens a lot with Netflix, they produce approximations of the thing you love, and by doing this bad half-assed version with the wires sticking out and everything, in the end you don't love that thing anymore.
Netflix in the hunt for quick engagement eats the seed corn of fandom, and are left with nothing to build on.
Edit: Twelve Monkeys. I think that counts.
Planet of the Apes, Soylent Green, and that other Charleton Heston movie with zombies that I can’t remember (not a huge fan of zombies)
The Road is a fairly recent movie that fits.
British TV had Space 1999, lots of early Doctor Who and an attempt at the Tripods series by John Christopher. By far my favorite was “Survivors” written by Terry Nation - who needs zombies when you’ve got actual problems to deal with!