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[return to "Breaking Down OnlyFans' Economics"]
1. Random+hPb[view] [source] 2024-09-13 11:18:00
>>mef+(OP)
What I find fascinating/disturbing with OnlyFans and in some way with Twitch and streaming in general is more the client side than the creators. Here are basically people paying, and paying a lot, for parasocial relationships. Because clearly it’s not about the content per see which is a dim a dozen and available for free in trove.

I think it says something quite dark about our society as a whole that we have basically commoditised distress and are encouraging some people often themselves in dire circumstances to prey on others to the benefits of the middle men. I find these new pimps scarier than the old sort in that they pretend to have clean hands.

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2. qingch+Skc[view] [source] 2024-09-13 15:21:24
>>Random+hPb
This view isn't matched by the stats. I have a friend who is a successful OF model and only a fraction of one percent of her subscribers ever DM her. A lot of them subscribe, see what they want and then immediately delete their accounts. There's no apparent relationship between her fans and her, for the most part.
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3. ehnto+Umc[view] [source] 2024-09-13 15:35:42
>>qingch+Skc
Parasocial relationships don't require interaction, you could just watch a twitch streamer a lot. I think if we defined it by requiring interaction we would underestimate the percieved impact of these social phenomenon.
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4. mudita+doc[view] [source] 2024-09-13 15:43:36
>>ehnto+Umc
It not only doesn’t require interaction, the lack of interaction is what makes is parasocial.
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5. jayd16+rrc[view] [source] 2024-09-13 16:02:39
>>mudita+doc
So like, movies are more para social because they have less interaction?
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6. Maxata+LTc[view] [source] 2024-09-13 19:16:51
>>jayd16+rrc
Well movies, tabloids and radio/music were the original mediums used to study parasocial relationships in the 50s.

Whether it's more or less parasocial than live streaming has more to do with quantity and access than it does the specific form of media.

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