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[return to "The Decomposition of Rotten Tomatoes"]
1. ernest+d93[view] [source] 2023-09-07 19:52:08
>>tortil+(OP)
Rotten tomatoes is actually very useful if you know the magic formula:

* If tomatometer & audience score are within 5% of each other, you can trust the ratings to give you a decent indiciation of movie quality.

* If tomatometer is more than 15%+ higher than audience score, it means it's an artsy fartsy movie that critics like and movies don't.

* If audience score is 15%+ higher than tomatometer, it's a fun movie even if it's not oscar worthy. (https://www.rottentomatoes.com/m/old_school is a perfect example)

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2. pauldd+8d3[view] [source] 2023-09-07 20:10:44
>>ernest+d93
Okay, let's give that a whirl

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The Last Jedi

Tomatometer 91% Audience 41%: Artsy Fartsy

[Really?]

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The Greatest Showman

Tomatometer 56% Audience 86%: Fun, not oscar worthy

[Won Oscar for Best Original Song]

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EDIT: Truthfully, it was the release of these two films (both Dec 2017) that caused the Tomatormeter and I to part ways. Simply indefensible, IMO.

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3. bmelto+wf3[view] [source] 2023-09-07 20:25:11
>>pauldd+8d3
For me, it was after they invited a new batch of reviewers who ended up bumping Citizen Kane from RT's "best movie all time" down a bunch of slots to such an extent that it was outranked by Paddington 2

I still use the ratings (because they're built into Plex) but mostly as a novelty, and sometimes as a puzzlement. Increasingly, you see scores like 5% tomato, 95% audience (or vice versa!) that I'm sure mean _something_ but rarely anything to me.

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4. Blackt+Ji3[view] [source] 2023-09-07 20:40:30
>>bmelto+wf3
Paddington 2 is legitimately great though.
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