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[return to "The Decomposition of Rotten Tomatoes"]
1. genera+Ag2[view] [source] 2023-09-07 16:17:36
>>tortil+(OP)
Not really surprising, this is just confirmation of what's been apparent for a while - Audience score is an accurate estimate of the movie, and the tomatometer (the critic score) basically just reflects the political correctness / marketing budget of the movie.
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2. Franny+Li2[view] [source] 2023-09-07 16:25:54
>>genera+Ag2
For me the critic score is a 'is this valuable as a cultural enrichment of movies' vs 'do people like it'.

What you do with information is than your decision.

Best case you know and trust your critics because you align to a certain degree with their experience and movie taste.

For example "now you see me" is a shit movie. Magic in a movie doesn't work and the main hidden character basically breaks the whole movie but apparently the audience loved it.

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3. willci+pr2[view] [source] 2023-09-07 16:57:53
>>Franny+Li2
> is this valuable as a cultural enrichment of movies

The Last Jedi is apparently the cultural enrichment film of the decade.

https://www.rottentomatoes.com/m/star_wars_the_last_jedi

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4. rrrrrr+7w2[view] [source] 2023-09-07 17:15:06
>>willci+pr2
Rotten tomatoes scores aren't an average of a bunch of vectors, they're an aggregation of binary data points. Each individual review is distilled down to "good" (100%) or "rotten" (0%), then they're all averaged up.

A better way to view the critic score is, "X% of film critics think this film is worth watching."

And the audience score is: "Y% of moviegoers who leave movie reviews on Rotten Tomatoes think this film is worth watching."

This is why Toy Story can get 99% (it's a crowd pleaser), and why daring, impactful films can sometimes get lower scores (they can be polarizing).

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