zlacker

>>zacwes+(OP)
“Sta­ble Dif­fu­sion con­tains unau­tho­rized copies of mil­lions—and pos­si­bly bil­lions—of copy­righted images.”

That’s going to be hard to argue. Where are the copies?

“Hav­ing copied the five bil­lion images—with­out the con­sent of the orig­i­nal artists—Sta­ble Dif­fu­sion relies on a math­e­mat­i­cal process called dif­fu­sion to store com­pressed copies of these train­ing images, which in turn are recom­bined to derive other images. It is, in short, a 21st-cen­tury col­lage tool.“

“Diffu­sion is a way for an AI pro­gram to fig­ure out how to recon­struct a copy of the train­ing data through denois­ing. Because this is so, in copy­right terms it’s no dif­fer­ent from an MP3 or JPEG—a way of stor­ing a com­pressed copy of cer­tain dig­i­tal data.”

The examples of training diffusion (eg, reconstructing a picture out of noise) will be core to their argument in court. Certainly during training the goal is to reconstruct original images out of noise. But, do they exist in SD as copies? Idk

>>dr_dsh+12
I don't think you have to reproduce an entire original work to demonstrate copyright violation. Think about sampling in hip hop for example. A 2 second sample, distorted, re-pitched, etc. can be grounds for a copyright violation.

>>akjetm+D3
The difference here is that the images aren't stored, but rather an extremely abstract description of the image was used to very slightly adjust a network of millions of nodes in a tiny direction. No semblance of the original image even remotely exists in the model.

>>Salgat+R3
there are some artists with very strong, recognizable styles. if you provide one of these artists' name in your prompt and get a result back that employs their strong, recognizable style, i think that demonstrates that the network has a latent representation of the artists work stored inside of it.

>>akjetm+h4
I was with you right up until the final sentence.

How did "style" become "work"?

>>andyba+I4
That’s the key question of the lawsuit IMO!