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[return to "Who knew the first AI battles would be fought by artists?"]
1. meebob+kc[view] [source] 2022-12-15 13:03:10
>>dredmo+(OP)
I've been finding that the strangest part of discussions around art AI among technical people is the complete lack of identification or empathy: it seems to me that most computer programmers should be just as afraid as artists, in the face of technology like this!!! I am a failed artist (read, I studied painting in school and tried to make a go at being a commercial artist in animation and couldn't make the cut), and so I decided to do something easier and became a computer programmer, working for FAANG and other large companies and making absurd (to me!!) amounts of cash. In my humble estimation, making art is vastly more difficult than the huge majority of computer programming that is done. Art AI is terrifying if you want to make art for a living- and, if AI is able to do these astonishingly difficult things, why shouldn't it, with some finagling, also be able to do the dumb, simple things most programmers do for their jobs?

The lack of empathy is incredibly depressing...

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2. strken+Kx[view] [source] 2022-12-15 14:42:58
>>meebob+kc
My empathy for artists is fighting with my concern for everyone else's future, and losing.

It would be very easy to make training ML models on publicly available data illegal. I think that would be a very bad thing because it would legally enshrine a difference between human learning and machine learning in a broader sense, and I think machine learning has huge potential to improve everyone's lives.

Artists are in a similar position to grooms and farriers demanding the combustion engine be banned from the roads for spooking horses. They have a good point, but could easily screw everyone else over and halt technological progress for decades. I want to help them, but want to unblock ML progress more.

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3. yamtad+Wj1[view] [source] 2022-12-15 17:58:01
>>strken+Kx
Everyone else's future?

I see this as another step toward having a smaller and smaller space in which to find our own meaning or "point" to life, which is the only option left after the march of secularization. Recording and mass media / reproduction already curtailed that really badly on the "art" side of things. Work is staring at glowing rectangles and tapping clacky plastic boards—almost nobody finds it satisfying or fulfilling or engaging, which is why so many take pills to be able to tolerate it. Work, art... if this tech fulfills its promise and makes major cuts to the role for people in those areas, what's left?

The space in which to find human meaning seems to shrink by the day, the circle in which we can provide personal value and joy to others without it becoming a question of cold economics shrinks by the day, et c.

I don't think that's great for everyone's future. Though admittedly we've already done so much harm to that, that this may hardly matter in the scheme of things.

I'm not sure the direction we're going looks like success, even if it happens to also mean medicine gets really good or whatever.

Then again I'm a bit of a technological-determinist and almost nobody agrees with this take anyway, so it's not like there's anything to be done about it. If we don't do [bad but economically-advantageous-on-a-state-level thing], someone else will, then we'll also have to, because fucking Moloch. It'll turn out how it turns out, and no meaningful part in determining that direction is whether it'll put us somewhere good, except "good" as blind-ass Moloch judges it.

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4. dingoe+Nt2[view] [source] 2022-12-16 00:04:04
>>yamtad+Wj1
I agree and think the same way. The "just make numbers go up" mentality of happiness is a fallacy. If this was the case, plugging everyone up to heroin hibernation machines would be the most optimal path. But anyone with an iota of human sensitivity will see that as horrific, unhappy and a destruction of the human spirit.

Happiness needs loss, fulfillment, pain, hunger, boredom, fear and they need to be experiences backed up by both chemical feelings and experiences and memory and they have to be true.

But here's the thing, already the damage is done beyond just some art. I don't mean to diminish art, but frankly, look at how hostile, ugly and inhuman the world outside is in any regular city. Literal death worlds in fantasy 40k settings look more homey, comfortable, fulfilling, and human.

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