zlacker

>>femfos+(OP)
This trend isn't going away anytime soon, In fact I think it's just ramping up and is accelerating, especially with the racism narrative the main stream media outlets started to heavily push ~2 years ago and the big identity movement. It will continue until there is consensus, that this climate is bad, for everyone involved. I don't see that happen anytime soon, the cancelations will continue until moral improves.

>>snicks+Ze
I saw some improvement in the Netflix movies getting less extreme over time. Emily in Paris was the first movie where the woke Netflix made fun of itself using French people / culture as props. Disney and Netflix had to lose billions of dollars to understand that the loudest voices may not represent the majority of the people.

>>xiphia+Cz
Can you be more specific about what happened with Disney?

>>wskinn+aT
There's a small cottage industry of Youtubers making up "fake" news about how Star Wars movies and Star Trek shows are all getting cancelled and going out of business for "being too woke" and losing the audience. These Youtubers invent secret inside scoops about how the executives at Disney and other companies are constantly in turmoil and losing money.

My guess is the person you replied to doesn't realize these shows are fiction and doesn't' realize he or she is in a information bubble. However I know nothing about that poster so could easily be mistaken.

>>static+GX
Hmm, how do you figure this narrative is fiction? I'm not exactly sure one can be objective about this sort of thing, as obviously the success of a film is hugely multivariate. But I think a good place to start is box office from the new trilogy and subsequent films.

SW VII (2015) – $2,068,223,624

SW VIII (2017) – $1,332,539,889 <-- loud complaints by "YouTubers"

SW IX (2019) – $1,074,144,248

The downward trend is honestly pretty extreme. Of course you can blame this on fatigue, yet if you do the same analysis with the Marvel Avengers films (which have not had the same "too PC" criticism directed at them), you will see the opposite trend towards the story's climax.

You can also look at the Star Wars films that are not part of the new trilogy: Rogue One and Solo.

Rogue One came out in 2016, after VII and before VIII. VIII was widely considered (especially by the YouTubers you refer to) to be the most egregious re-writing of Star Wars lore, establishing (as the argument goes) the main character as a clear "Mary Sue" (ridiculously over-powered character with no flaws) and otherwise shitting all over established canon in the name of "subverting expectations" (in the director's own words). Meanwhile, Solo came out after Episode VIII, and focused on (I would say) the male-favorite character in all of Star Wars, devilish rogue Han Solo. So I think the reasonable expectation before the release of either film was that Solo would be the more likely to succeed. But again, Solo came out fresh off the heels of Episode VIII, the main film that received most of the backlash you claim is "fake". I will let their respective Box Office numbers speak for themselves.

Rogue One (2016): $1,056,057,273

Solo (2018): $393,151,347

>>fastba+K81
I feel like the simpler explanation here is that these movies did not have a coherent story and had poor character development, not that they were the victims of "being too woke" or whatever the current most popular explanation that said internet reactionaries like to claim.